TuneDig is an in-depth and informed conversation between two lifelong friends about the power of music — one album at a time.

In each episode, we go down the rabbit hole to spend a while in the strange world we discover. We take an honest look at creativity in all its complexity—from writing and production to history and cultural impact.

We promise you’ll learn something new every time, no matter how much you already love the album we explore.


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Friday Heavy: November 11, 2022

This week, we discuss:

  1. He Is Legend – Endless Hallway
  2. Curated playlist sussing out the depths of He Is Legend’s roots, weirdness, and attitude
  3. Protect Our Winters (POW)


Note: our transcripts are mostly AI-generated for now. 

Kyle: Welcome to Friday Heavy, Your Guide to the World of Aggressive, abrasive, cathartic, loud, weird, Wild, and Free Vibrations, brought to you, the folks behind Tune Dig. I’m Kyle

Cliff: Oh shit. Kyle came in with the intro that time. I’m Cliff. Our intros got so weird that I didn’t even do it. I love it. We are evolving. Each episode we try to concisely cover right after I try to make Kyle laugh at the top Three things. First one, brand new release in the world of heavy music and why we think it’ll be worth a spin.

Second, a playlist we’ve curated to help you explore heavy subgenre or an artist or a scene or some other really cool idea we’ve had often related to that new release in some way, but otherwise, A bang and playlist to be honest with you. Lastly, and most importantly, we always talk about one organization tackling a heavy issue in their community, doing some sort of critical culture impacting work because well, we need something to do with all that punk energy and we’ve got to find some way to do something in this world that keeps existing.

Anyway, let’s get into it. Kyle why did you start the podcast today and what are we talking.

Kyle: We are talking about a band that we both love. This is a little bit of a special episode. today we’re talking about endless hallway, the seventh. And latest full length release from Wilmington, North Carolina’s. He is legend. It is the, like we said, seventh record for the road worn r Veterans who are going on, and this is some crazy shit to say out loud.

20 years of placing their faith in whiskey and weed and Black Sabbath. And they are indeed goddamn electric. when artists do that, this is our most personal album to date thing. I really do think this episode is that for us, because, Unlike most Friday, he bee episodes where we’re going in relatively fresh and unaware about what we’re listening to, and we’re just like, Ooh, that grabs me.

I, I don’t think genuinely, I don’t think there are any two people in the world on planet Earth who are more qualified to talk about this band. Because as much as they’ve been from North Carolina, in and out of Atlanta as like a special second home for them, I, I think one we’ve probably seen them over the years more than anyone and two are just very aware of and connected to their discography.

I would probably venture to say they are my favorite band, if not one of my top, my favorites. We haven’t had a chance to cover them on Tune Dig yet for a multitude of reasons. So I’m excited to have a chance to finally have an artifact to share with the world about what I think is this band’s greatness.

So first and foremost, man, Legend is a guitar band like Capital G, capital B trademark and the heavy. That makes them worthy of Friday. Heavy inclusion comes from guitar. With their guitar. You’re getting the best flavors of grunge, punk sludge, classic rock, and perhaps most importantly, a kind of a bluesy bounce, informed by a deep and real love of southern rap and trap music, which we share.

Cliff: The, one of the primary threads that me and you have together about the band is that even though we probably like opposite ends of their career


this brought to mind how much I still loved, like scr, tuts, and a bunch otherwise not necessarily super great hardcore songs early on that were really fun.

And then, some of those early records, they leaned into songwriting in a way that really hooked me in. But the through line, all the way through to today that me and you both agree on is Adam Tanbus the guitarist. I mean, I think about guitar riffs that he does.

Only one time in a song his riffs have an attitude that other people do not know how to do with a guitar. Whether they’re totally leaning into grunge, like whether they’re in that weird, it hates you thing in the middle of their career or whether you even go back to like all the I Am Hollywood stuff that a lot of people love.

Those seem like different bands, but that the through line you can connect for sure. It’s like the guitar. Just fucks a hundred percent that’s something that we’ve always been able to talk about. We have driven to, He legend shows that got canceled more often than normal people have gone to is legend shows,


Kyle: true that is

Cliff: yeah,

Kyle: now more than ever now that other bands we love have imploded I I appreciate that They’re they have persisted so let’s get into it we have gotten two pairs of singles from this new record in this hallway and the first pair was the Prowler and Lifeless Lemonade And in the case of Lifeless Lemonade I’ll quickly acknowledge All the sites that have written about it have talked about the maug eness of lifeless Lemonade which I think is a cliff talking about the riffing that’s a thing to acknowledge But when a spotlight the Prowler first know these guys were on hiatus for a minute in the early two thousands and since coming back in 2014 Each successive new album drop has opened with a clearly more honed sound Like there’s a holy shit He has legend his back type of thing That’s very classic rocky about it all with their last album White Bat which dropped in 2019 they were cresting upward toward what felt like it Might finally be their moment after years and years of not really breaking through and then immediately had that bubble burst by the pandemic and have been pretty public and ruminating on You know how that felt and what it’s been like to deal with that So with the lead off track the Prowler it is the lead off track on the album as well as the first single they released We hear I think the result of that pent up frustration and that like sense of creative urgency it is the fastest and heaviest He is legend yet and it’s got a like I mentioned a holy shit factor it’s a banger like it just bangs start to finish and if you’re new to the band the first thing you’ll notice Like we suggested as the drop c riffing uh especially if you play it loud capital all cats loud like you should in your car or somewhere that will disturb your neighbors but also don’t sleep on Jesse Shelly’s monster drumming


Cliff: I walk around my damn house and sing that all day. Cuz now that hook and that riff is I don’t know, permanently fixated to the studs of my brain.

Kyle: they do that thing that you really like They do that move where they bring it back real slow

Cliff: Yeah, I haven’t been impressed by that since a good solid, like 2004. not only did they stare directly into the camera and do it anyway, but they did it good enough to make me literal jaw drop somewhere out in public. It was embarrassing.

Kyle: alright So onto the next pair honey from the hive and sour We’re gonna talk about honey from the hive Little sweet and sour I appreciate that Pairing wink winky pairing honey opens with a little bit of like check check out my new pedal tone wizardry from Adam Little bit of Oh look I can do clean tones too Like that story you hear about come as you are Nevermind and then it goes into their sort of like near perfected recipe for All capitalized Big Rock song trademark symbol they have this knack for evolving their old stuff while sounding fresh and like what their current thing is And there’s a track on every New Legend album that feels like a version of eating a book from I Am Hollywood written in a parallel timeline and the best examples of that are eating a book and when the woods were young from white bat So just Bump those two up against each other But sour is a little bit of that same thing here But to your point I particularly love how honey starts out slow And it reminds me how for a long time they would open live sets with just like a a totally unique slow SLU drift like a eater type riff that they would never use any other time ever They would never put it in a song You could only find it on like a 2007 WMV YouTube upload That’s like 12 p quality and I like actually have videos favorited that are that so I’m barely exaggerating But here so we’re not dropping you into the slow intro we’re gonna share some fast punky verse and then some big rock chorus It’s like the most it’s the authentically evil F fighters Studio 6 66 or whatever couldn’t pull off So here’s honey from the Hive


Cliff: Skylar is in top. this record the vocals are sick. he’s had so many phases of being a vocal with this band. you know, he really leaned into the southern stuff early on. He was a lot more of a hardcore vocalist early on, and his voice sounds great.

And I that’s worth calling out cuz like I know that he had to have put a lot of hard work into getting on top of his game like that and being able to record like this. It sounds great. Even in the moments where they don’t go in the direction I expected or maybe even wanted the quality of what they’re doing in the recording really stands out and that’s not something that’s always been true for them.

And I love to see it here. It really carries you through to the next song or idea or whatever. I just love to see this band continuing to exist in their better and better forum every

Kyle: Agreed

Cliff: sincerely for me and Kyle, Check out Endless Hallway out now on Spine Farm. Go listen to this however you want, like we always tell you to.

And then just go send the band your money, go to shows. They’re definitely playing shows. They’re on some,

Kyle: They’re going out with Valiant Thor on a little run over the next few days which is gonna

Cliff: that’s right. We’ll be there soon. Yeah. So go to shows if you can grab some merch from them, if you can. And if you run outta ideas, just ask ’em further Cash app or whatever and send them some money with a winky and

Kyle: And or bring them weed so Adam Taboos can continue to do whatever it is his brain does

Cliff: Absolutely. Depending on what state you are in, consider that gift as

Kyle: The most sativa of sativa’s that you can find

Cliff: This was 110% THC Bring it on.

what did we do with the playlist this time? Because usually we just swap this around, but you just aced both of the assignments, so, And what’d you do this

Kyle: Well if you love what you do you never work a day in your life and that remains true here this one I did with a little bit of a chip on my shoulder Honestly I this one flowed from my deeply held belief that as if you couldn’t tell already I think this is one of the most misunderstood and therefore underappreciated rock and roll bands in existence and how they wound up that way as a story for a much longer conversation that hopefully we can tell on the main podcast someday But for now consider this playlist like a rebranding Or if you hate marketing terminology an entry into the official record to set the record straight about who they are and why they do in fact rule So the thinking here was primarily these are the bands that legends should be lumped into a list with or should be sharing bills with You should see them on a poster with Also partly informed by the bands that they have nodded to They have they themselves have said we should be in this context by covering them live over many many years and kind of have the benefit of like picking out specific songs that they’ve thrown 30 seconds of into other songs which is a cool move Theres and in the case of bands like the Melvins and Uncle as bands who have the same like cool totally one of one weirdness and musical chops that it seems like legend is finally at long last starting to very slowly penetrate the collective consciousness with And I think lastly there’s a like horror movie or dark aesthetic that informs their vibe So that’s another kind of common thread to be more specific I guess If you take the energy that made white zombie and Alice and Chains so cool and kind of scary in the early nineties and then you take the Melvins and Nirvana’s sort of ironic Gen x dis disaffection you’re kind of starting to get the picture of who he’s legend really is versus they were on a Christian label Maybe maybe not They’re in with these like sea level furnace fest reject bands I don’t wanna go too far down that rabbit hole but like they should be in the pantheon with the cool proper like rock and roll bands that fuck um you know 15 years earlier and they would’ve been a bumper sticker on like a black boogie van or the words he is legend would’ve been carved into a desk So I personally have played this playlist on repeat a shit ton since I made it So I I love it and I I’ll be interested to see if it it gets any spins from other people but at the very least it’s a love letter to a band that I think matters should matter a lot more Than they do And in in my rock and roll hall of fame they’re tops

Cliff: This playlist definitely does what you set out to do. One vignette of it, The run of slit, not corn. Melvins, oid, man, Dan Zig CAAs. That’s it. That’s it. It’s the energy, like how do you care and not care simultaneously so intensely,

Kyle: The caring and not caring thing It’s a total like if you get it you get it There’s an exact attitude like carving out in the middle middle of the half pipe run type thing

Cliff: Half pipes are

Kyle: That’s


Cliff: heck yeah. in every episode we always wanna cover one impactful organization doing really critical work. it is midterms week. Yes. we’re gonna scale a little bit off the side, uh, and go a different route.

So if you’re holding. Breathe slowly. It’s okay. But we can launch off from this. It’s midterms week in America as Georgians specifically, we are really distinctly reminded like other states like Texas. We’re reminded that voting will not save us literally. In our states it’s great to see positive outcomes potentially across the country or world.

But there are still pockets where things are deeply entrenched in a really bad way. Georgia is one of them. The system that we have simply is not capable of the degree of change that we need to address the reality that we find ourselves in. And that’s from economics to abortion rights to climate change.

And so one kind of meta topic or theme that we’ve had in this segment of the podcast is we’ve gotta literally fund the change ourselves. We’ve talked a lot of about how people do that, how organizations do it in prior episodes especially in things like discussing community funds, whether those are solidarity funds or abortion funds.

Specifically though, when it comes to climate change, we’ve gotta take a similar approach to that. We’ve gotta fund it ourselves because effectively, like while the government tells you across the world, right? Avoid plastic straws to save the planet. We have studies coming out this week that shows that billionaires a million times more greenhouse gases than the average

Kyle: not figuratively literally

Cliff: lit like yes, just to put a real sharp edge on it real fast and then back away. I don’t know how Cliff and Kyle can be more clear to anyone listening to this podcast that the wealthier killing you and they’re killing our planet and they will never stop. Great. Cool. So one of the endless reasons to, uh, preserve our planet, is to preserve the planet and its outdoors as an active space.

And specifically what we wanna talk about this week is preserving it specifically for snowy winters. And for those fortunate enough to live near snowy mountains and participate in. There or fortunate enough to be able to travel to participate in that. And you know, if that’s not a big part of your life, culture might have you believe that winters in enjoying the winters and snow and all that is only sort of for like rich elites who helicopter into veil and expensive ski resorts.

That’s true, but that’s a fraction of the joy that’s experienced by a lot of people who are sharing public lands set aside by the government so that you can go and specifically not have to pay money to enjoy

Kyle: Just thinking about Kendall Roy flying flying into veil like Kendall Roy in both types of snow he enjoys

Cliff: That’s only one fraction of the enjoyment that people get out of being able to use public lands. It sounds stupid until you individually feel the sensation of freedom that comes from gravity sliding down the side of a mountain on a piece of wood or metal or something, and all of a sudden you go, This is a way to interact with the world that I didn’t know how to do.

Kyle: It’s one of those ways that nature is so much better for your mental health than you could ever anticipate before you do it

Cliff: I love to remind people literally, if you’re not sure what to do and you’re feeling real stressed over a long period of time, find a way to climb up a thing and then come back down it. If you just apply that outdoors, you’ll feel

Kyle: And if you listen the past season or two of tune dig there are lots of cliff experiences music and therefore his own spirit and consciousness more deeply by experiencing these albums we talk about as he goes down the side of a mountain so mu music and nature I think it’s becoming a deeply held belief on this podcast that’s a great context in which to uh explore your inner world while in the outer world

Cliff: Yep, a hundred percent. And we have to protect those contexts where we can draw that out of ourselves. It’s not just gonna stay there if we do nothing. So that’s all wrapped up into this. Way of figuring out how to fund climate change ourselves and preserve our own world, cuz other people are not gonna do it for us.

So we wanna highlight one organization doing that specific type of work, specifically protect our winters or otherwise known as p so in, in 2007, Jeremy Jones, a pro snowboarder. He saw what a lot of us do who, like snowboarding or whatever else you start to notice, like , um, the snow is not coming the same way that we used to expect it to.

So back in oh seven he noticed this and he noticed that, you know, it was harder and harder to count on mountains already to produce. The type of snow you would expect so that you can stay safe so that the mountain can open up all that stuff, right. But at the same time, we didn’t find any organizations specifically focused on mobilizing the snow sports community on climate change.

And I think that that’s a nice, just. That’s a nice thing to take away. We’re giving you a specific example in Powell. We’ll tell you a little bit more about ’em But abstract that out a little bit. Look for opportunities to think about ways we need to fund the things we need in our reality and find ways to engage with groups and communities of people and mobilize them towards change.

I mean, this is literally just a snowboard. Found a problem, realized no one was engaging with a whole group of people who were very connected and wanted to bridge that gap. Today they have 130,000 supporters. They engage 50 million outdoor sports enthusiasts globally, right? So this organization protect our winters turns.

According to them, they turn passionate, outdoor people into effective climate advocates. Powell leads a community of athletes, thought pioneers, and forward thinking business leaders to affect systemic political solutions to climate change.

and they go on to say, Our, policy agenda consists of a four pronged approach to climate solutions, including clean energy, clean transportation, carbon pricing, and protecting public lands from fossil fuel extraction.

And not to go like too far in the weeds on it, but one of the reasons why this is, this is so great to bring up, I, as a person who discovered in my own life, the Rocky Mountains in the last 10 years, and. Changed me pretty significantly as a person. Kyle is laughing cuz he knows that that’s a huge understatement.

But focusing on climate solutions by looking at one clean energy, two clean transportation, three carbon pricing, and four protecting public lands. All four of those things have to always be protected in order for a person to be able to get in a car, drive to a mountain and have a safe experience.

Right don’t

protect public lands, they will absolutely be taken and exploited if you don’t have proper transportation.

Listen, I’m very familiar. There’s only one interstate that goes in between Denver and where all these people are trying to get, especially out in Colorado. It reaches a standstill on a regular basis. All of that works together. And you’ve got to have clean energy to be able to do all of the operations it takes to run a mountain on a regular basis.

Like all these things work hand in hand together. And so you need people charged up in a community who understand the implications of all this stuff working together. To make it actually happen. The top down saving of our planet is not going to come. This is how we’re getting it done, and Powell is one really awesome organization doing the type of work that we need to see in a million different

Kyle: I mean, as somebody who is working in his literal day job to close the net zero equation every day I’m super glad that we’re spotlighting this, very personal aspect of it. I appreciate that we made all three phases of this episode, deeply personal. We are gonna need all hands on deck to study the planet.

If I’ve learned one thing in my time in this work is. Climate work is everybody’s work. No matter where you are, you can do something positive in this arena. We need all hands on deck to study our planet and to save it for future generations. You know, whether you have a kid or not, you know somebody’s kid that you love.

And if not, think about the animals. saving it means preserving the things that bring us joy the best we can, right? It’s a, it’s less of a responsibility and more of a privilege. If we love our things, we take care of them. And P is tackling one of those critical joys, so we’re grateful for them and we hope that you will learn more about [email protected] and consider donating or becoming a member even, and especially if.

Never been on a mountain and experience that joy. Maybe that’s sort of the secondary bumper thing. We can encourage here, support P and get out on a mountain and experience why you should support an organization like P.

Cliff: Hell yeah. This has been Friday heavy. We’ll be back in two weeks.

Go to tunedig.com or follow us on Instagram and Twitter for links to the new release, the playlist and the organization that we talked about today.

Original "Bitches Brew" Art

To celebrate the endless creativity of Bitches Brew—and especially its famous album artwork—TuneDig partnered with two incredible Atlanta-based artists to create one-of-a-kind, handpainted gatefolds.

With the spirit of the original art in mind, each artist brought their own vision to life. These pieces will spark conversation for any jazz fan.

Each piece includes a new vinyl copy of Bitches Brew. 100% of the purchase price goes directly to the artist, so take this opportunity to support the arts in the raddest possible way.

Seriously. There’s literally only one of each. Make it yours. 😎

TuneDig Episode 53: Ravi Shankar’s “Three Ragas”

Ravi Shankar lived one of the twentieth century’s most extraordinary lives, bearing witness to—and making—history all around the world. To many (especially in the West), he personified an extraordinarily complex style of music and the cultures from which it was borne, and he worked hard to make it look easy.

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TuneDig Episode 52: Alain Goraguer’s “La Planète Sauvage”

Gather ’round, sommeliers of the strange and crate-digging boogie children, for something “Strange! Frightening! Fascinating!” awaits. The soundtrack to Cannes 1973’s Jury Prize-winning film is a dazzling, surreal, avant-garde hymn to cosmic knowledge and compassion and a secret handshake among real heads. If you’re after a trip to a new dimension, here’s your one small step for man.

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TuneDig Episode 51: Marvin Gaye’s “I Want You”

Marvin Gaye’s well of soul power ran mighty deep, and deep into his career, he pulled up a bucket of ice-cold, silky smooth champagne called “I Want You.” Come for the lush instrumentation, vocal harmonies, and Leon Ware clinic; stay for the stories. For our return from hiatus, we observe a titan in his element, reflect on the pain that built him into one, and consider how to reconcile our feelings when complicated messengers deliver beauty to our door.

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TuneDig Episode 50: Funkadelic’s “Maggot Brain”

Before uniting one nation under a groove, the lysergic lords of chaos in Funkadelic harnessed wild lightning into an amulet called Maggot Brain, bestowing the bearer with raw, dark power stronger than any force known to man. Between reaching our 50th episode and coping with the “maggots in the mind” of today’s universe, it felt like the right time to free our minds. We hope y’all’s asses will follow.

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TuneDig Episode 49: Alice Coltrane’s “Journey in Satchidananda”

The story of Alice Coltrane — an accomplished bebop pianist from Detroit who transcended into something far greater before walking away from public life altogether — is a glimpse into what it means to be truly free. Alice’s masterpiece "Journey in Satchidananda" is a cosmic dance that sparked creation from destruction. And in a time when we’re all desperately searching for a spark of meaning and hope, Journey abides abundantly.

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TuneDig Episode 48: Heart’s “Little Queen”

Take a moment to appreciate Ann and Nancy Wilson, who kicked down the doors of rock ‘n’ roll’s boys’ club with their peerless guitar work, soaring soul vocals, and tight songcraft. 1977’s Little Queen — an oft-overlooked gem in the classic rock canon — offers a snapshot of those elements at their most urgent and pure, powered by the Wilsons’ simple motivation (as described by their producer): “It was a war.”

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TuneDig Episode 47: Tangerine Dream’s “Phaedra”

When you think of “electronic music,” what comes to mind may not be a genre you deeply love — hip-hop, house, new wave, or even dub reggae — but all of it owes some debt, scientifically or otherwise, to Tangerine Dream. Dig in with us as we study a prime example of the band’s brand of effortful innovation, where they patiently and persistently labored at the cutting edge of electronic technology to open a portal to new worlds in our minds.

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TuneDig Episode 46: Olivia Rodrigo’s “SOUR”

Did you catch one of 2021’s biggest albums, or like us, did you almost overlook it? If you have any expectations of pop music, "SOUR" will likely subvert them. Teenage dream this is not; it’s an exquisitely universal portrait of a weird time to be alive.

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TuneDig Episode 45: Fela Kuti’s “Expensive Shit”

The story of Fela Kuti — one of the most famous people on an *entire continent* passionately struggling to liberate power to more people — is absolutely one worth deeply knowing, regardless of whether you find yourself drawn to Afrobeat or (cringe) “world music.” But once you know it, it’s almost impossible not to fall in love with Fela and Afrika 70 as their revolutionary grooves rewire your brain in magical and meaningful ways.

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TuneDig Episode 44: Meshuggah’s “ObZen”

Meshuggah’s ObZen—an artifact of human creativity pushing the limits of what’s possible—will quite literally make you hear music differently. If you’re looking for a new musical adventure, and especially if you don’t think you like “heavy” or “weird” music, consider this your sign to push past your comfort zone.

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TuneDig Episode 43: mewithoutYou’s “Catch For Us the Foxes”

A misunderstood wise man once said “Let him who seeks continue seeking until he finds.” In our most personal and vulnerable episode yet, we do some seeking through the lens of songs that fill us with the bravery and sincerity to love ourselves and others fully. Dig deep with us as we fish for words about our tiny place in the universe and dance with gratitude for our ability to do so.

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For lifelong headbangers and the musically curious alike, a new podcast from TuneDig is here to push your palette with aggressive, abrasive art. Each short, fast-paced episode offers (1) a new metal, punk, noise, or experimental release we recommend, (2) a related playlist we’ve curated, and (3) a heavy issue to consider and an organization doing something about it. Join us in the void.


TuneDig Episode 41: Miles Davis’s “Bitches Brew”

Let’s be clear: "Bitches Brew" is a challenging record, even to some of the best musicians in the world — but all of them say it’s worth the investment. It’s the kind of trip that, even if we *could* draw a map, it wouldn’t take you there. Let go of the need for meaning and enjoy the ride with us. We can promise you’ll be pleasantly surprised where you end up.

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TuneDig Episode 40: Fiona Apple’s “Tidal”

On the heels of one of 2020's most acclaimed albums — Fiona Apple’s Fetch the Bolt Cutters — we revisited Apple’s debut Tidal and wound up working to extract ourselves from the mostly male gazes that made its reception … much different. We arrive at a question much like writer Jenn Pelly had: “People would constantly prod Fiona on how an 18-year-old could write songs as mature as these ... Why did they not ask instead how she became a genius?”

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TuneDig Episode 39: Death Grips’s “The Money Store”

The modern world is accelerating beyond our control, shaping our reality in ways we can’t yet perceive or understand. Enter Death Grips, an art project capturing the chaotic energy and illustrating the absurdity of our hubris in trying to harmonize the surreal and extremely real — never more perfectly than on 2012’s prescient "The Money Store".

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TuneDig Episode 38: Augustus Pablo’s “King Tubbys Meets Rockers Uptown”

Reggae music is easy to take for granted, but its impact is underappreciated and massive — in the case of dub in particular, everyone from Radiohead to Johnny Rotten to Run-DMC owes it a debt. Augustus Pablo and King Tubby together created what’s regarded as “one of the finest examples of dub ever recorded.” Join us as we dive into the culture, history, and unique engineering experiments that made it possible.

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TuneDig Episode 37: Rihanna’s “ANTI”

By every measure — sales, awards, chart-toppers, global name recognition — Rihanna is objectively as big as the Beatles ever were. In fact, ANTI is so big it’s still on the charts, a record five full years later. Take a closer look with us at “the record you make when you don’t need to sell records”, and get a taste of the true freedom that comes from focusing on your inner voice when faced with insurmountable expectations.

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TuneDig Episode 36: Son House’s “Father of Folk Blues”

All American music traces back to the blues, and deep at the root sits Son House. That the recordings on "Father of Folk Blues" even exist is something of a gray area that cuts to the heart of the great American myth, but wherever you land after hearing these stories, you’ll find that what matters most is what the great Muddy Waters once said of House: “That man was the king.”

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TuneDig Episode 35: Melvins’s “Stoner Witch”

The futility of describing the Melvins has stretched critics in the direction of absurd words like “Dadaist” for nearly 40 years now. They’ve belligerently flogged any attempt to pinpoint their essence simply by being themselves, but "Stoner Witch" remains a reliable mall directory for the Melvins’ vast and wild discography. Grab yourself some pretzel bites.

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TuneDig Episode 34: Dolly Parton’s “Jolene”

We should talk about Dolly the way we talk about Prince. Her extraordinary kindness and unique kitsch both make her universally loved, but what gets left out of the conversation is the very thing that made her famous: the music. Join in as we focus attention on the sonics and songwriting of the low-key masterpiece "Jolene".

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Kyle and Cliff

BONUS TRACK: How We Got Here

We got a bunch of interesting listener feedback in our off-season, and it encouraged us to shed some light on why we do things the way we do ‘em. Also, we reflect on our first writeup, which was ... interesting.

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We're Cliff (right) and Kyle (left). We’re two dudes born and raised in ATL with day jobs in tech and sustainability, respectively.

We met in middle school, and in one way or another, music’s been the thing that’s kept us close for the two decades since — whether it’s sharing and talking about new music (like this podcast, except in our texts or over beers), going to shows, or working with our favorite record stores to help them survive and thrive.

We started TuneDig as a little art project that connects us more deeply ourselves and to the world through the infinite gift of music. We hope you’ll join us for the conversations, let us know what you think, and share discoveries of your own.

More About TuneDig

TuneDig began as a little something called MusicGrid.me, which we created after realizing there was no place online to directly exchange music recommendations with your friends. Our aim was simple: to make rating albums simple, useful, and social. We got some love from places like MashableWiredEvolver.fm, and Hypebot. We managed to foster conversation between music lovers, get thousands of reviews, and meet great people.

Along the way, we realized that record stores were an essential part of the music lovers’ community. After many a conversation about how we could helpfully connect them to the people who loved them, we began helping them leverage technology to create new revenue streams and embrace streaming services without giving up what’s unique to them: expertise and curation. (Long live the counter clerk who knows exactly which record will be the right introduction to jazz fusion!)

TuneDig is our vision to connect music lovers with the music they love, because no matter how much has changed in the way we discover and enjoy music, recommendations from people you trust and respect will always be the best way to find new music you’ll dig. With this podcast, we’re channeling the spirit of trusted curation pioneered by record stores, and bringing you something to take you deeper into music you can love.