TuneDig is an in-depth and informed conversation between two lifelong friends about the power of music — one album at a time.
In each episode, we go down the rabbit hole to spend a while in the strange world we discover. We take an honest look at creativity in all its complexity—from writing and production to history and cultural impact.
We promise you’ll learn something new every time, no matter how much you already love the album we explore.
DIG IT.
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TuneDig Radio
Introspection
The protests and unrest have had us wondering how to make meaning from this wild, inexplicable time in history — so like usual, we turned to songs. Out came two new TuneDig Radio playlists.
The world already has plenty of protest playlists, so instead we tried to think more deeply about how best to process and live in the moment. This episode (part of a pair) is all about searching deep within and challenging yourself to grow.
Listen with full songs on the YouTube playlist
How can music help us make sense of this massive moment? By showing us how to (1) dig deep and (2) do something.
— TuneDig (@tunedig) July 24, 2020
In Part 1 of our latest pair of #TuneDigRadio episodes, we curated + contemplated songs for soul searching and opening up your world.https://t.co/rktdlPUoyf
LATEST EPISODES
Episode 78: The Chemical Brothers’s “Exit Planet Dust”
Time's funny, innit? As today's youth excavate the nineteen hundred and nineties for the ecstasy of seemingly simpler times, here lies a fossil record containing so much of the DNA of how it was done — layers upon limestone layers of cultural source code. Keep digging and you might just find a place to get off your biscuits. The Big Beat goes on.
Episode 77: Otoboke Beaver’s “Super Champon”
For our money, this is what running through the halls of your high school and screaming at the top of your lungs actually feels like. And why *shouldn’t* the unreal world be a 250-BPM confetti cannon of primal-screaming sweetness? Take 21 mere minutes to blast-beat your brain and body into a fireworks show and then let’s shopping after.
Episode 76: Chic’s “C’est Chic”
This episode’s meaning is neither deep nor hidden: the Nile is a river. To good times, that is. If the savoir faire, stellar musicianship, and seismic influence of Nile Rodgers and Bernard Edwards’ organization don't suit you, then to cite a very wise t-shirt: “disco doesn't suck; you just can't dance.”
Episode 75: Nas’s “Illmatic”
Illmatic’s impact on hip-hop is a foregone conclusion — one listen and it ain’t hard to tell why. But as we unpacked the lyrical density, the layered samples, and the hyperlocal lens of Nas taking us to the Bridge, we found they represent, represent something deeper in the American mythos and our cultural consciousness. In the land of the free and home of the brave, life may be a bitch, but the world is yours.
Episode 74: N.E.R.D’s “In Search Of…”
It may be true that No One Ever Really Dies, but at the turn of the millennium, a young, wild, and free new wave in culture most certainly came alive. Whether or not you were around and aware in the moment of the Neptunes’ cultural dominance—and the decidedly counter-cultural bomb N*E*R*D planted underground—it's worth the star trek to the 21st century sound and style’s Big Bang.
Episode 73: Odetta’s “It’s a Mighty World”
Odetta — a must-know titan of American music and culture — once noted that young people “learn about American history through battles.” But her dream of liberation was shaped much differently: “I learned about the United States through this music, through the songs that I sing.” As we live through the kind of historical moment that makes most folks want to lie down and die, we can — like many heroes before us, from MLK to Maya Angelou — look to the legacy of 1964 and Odetta for strength to insist upon our lives.
Episode 72: R.D. Burman’s “Shalimar”
Once upon a time in Bollywood, one magical man made enough music to fill a million moments—and made space for hundreds of other artists along the way. Of the 331 scores “Pancham” composed in his lifetime, 1978's “Shalimar” is a uniquely compelling introduction to his technical prowess, transcendent alchemy of cultures, and tremendously joyful love of a life full of song.
Episode 71: Marianne Faithfull’s “Broken English”
“That’s the thing about pretty faces… We don’t expect them to belong to the fighters— the junkies and monks and cockroaches who’ll survive every atomic bomb and suicide attempt and outlive us all.” - Lindsay Zoladz Broken English is searing, singular snapshot of surviving to spite the devils (who’ve gotten far too much sympathy in the story so far). You’ll love it forever with its good and bad weather. We may have lost Marianne Faithfull this year, but not before she outran the darkness. As we close out a dark year and look ahead for light, there’s a lesson to...
Episode 70: Sade’s “Love Deluxe”
Any denier that all art is political need look no further than the smoothed-out soul slipstream of Sade, a group defined by its economics. Rare output, minimal arrangements, reserved volume, and, of course, the premium implied by “Love Deluxe”—a title derived from the idea that true love is among a precious few luxuries that can’t be bought. Our world’s clearly longing for more longing, and we discovered a truly transcendent delicacy as we unboxed Sade’s brand of desire.
Episode 69: Charles Mingus’s “The Black Saint and the Sinner Lady”
When you think of true "artists" in music, who comes to mind? Charles Mingus embodied its romantic ideal, for better and for worse. His magnum opus "Black Saint" is more than even jazz's cosmic form can hold—it's the full-bodied essence of a master composer, peerlessly inventive bassist, and clairvoyant critic of the real America. In it, you’ll find what his collaborator Gunther Schuller called "the widest ranging musics you can find composed by one single human being."
Episode 68: Gang of Four’s “Entertainment!”
“Entertainment!” is described by Gang of Four’s Jon King as “a record about young people smiling and dancing in the face of disaster.” Uh oh, sound familiar? This Leeds-born slab of Brechtian boogie reminds us that to navigate a world where everything is (small-p) political, dancing and dialectics belong together. Free your ass and your mind will follow.
Episode 67: Brooks & Dunn’s “Brand New Man”
This is the tale of two lonesome cowboys who got down, turned around, and went to town catching lightning in a bottle on their first try together. Whether or not their decade-defining country anthems lit a flame in your eye in the 90s like they did ours, Ronnie and Kix offer a lens through which outlaws, in-laws, crooks, and straights alike can look for ways to learn to love again.
Episode 66: Oumou Sangaré’s “Moussolou”
The name "Oumou" derives from an Arabic word meaning "mother of." It is associated with dignity, wisdom, and maternal strength. Southern Mali’s Oumou Sangare has come to embody her namesake for millions around the world, and it all began when she was just 19 years old, channeling the magical music of hunters through her powerful and purposeful voice and creating a moment that captivated an entire country. Hers is a story everyone should know.
Episode 65: Missy Elliott’s “Supa Dupa Fly”
In the words of one of her groundbreaking forebears, “You feel free? You want to try some wild s**t? Thank Missy.” Since the very first frame of “The Rain” entered our eyeballs, Missy has made the avant-garde accessible, pointing us to a future full of more funk and more fun simply by standing fully in the splendor of her space-age self. Come (supa dupa) fly with us back to the moment where Missy’s magic began.
Episode 64: The Cramps’s “…Off the Bone”
God is a woman and she plays the guitar loud … y’all come catch some Holy Ghost in your hips. Hear our hallelujah for the love story of the queen of rock ‘n roll and the mad daddy holy rollin’ on a river—upstream all the way—and boot scootin’ through a fun and freaky heaven and earth of their own design. The Cramps were Dionysian, devilish, dangerous, and damn good, and they remind us that life can be, too. If you can’t dig this, you can’t dig nothin’.
Episode 63: Black Moth Super Rainbow’s “Dandelion Gum”
Life’s a bit heavy to chew on these days, so we reached into the pocket of our mid-2000s jeans and found an old piece of Dandelion Gum to chew on instead. As soon as its neon syrup hits your tongue, you’ll wonder why you hadn't let this "future pop for now people, today" melt you, melt you, melt you yet.
Episode 62: Project Pat’s “Mista Don’t Play: Everythangs Workin”
This life we're livin' is oh so beautiful. Take it from Patrick Houston, who has spread the gospel of the real for three decades, followed by a discipleship that has shaped 21st century culture in his image. For those still alive in 2025 by the grace of God, let us give flowers to the man from the North North.
Episode 61: Grace Jones’s “Nightclubbing”
Not a woman. Not a man. A revolution. Music’s long history is littered with larger-than-life characters whose mythology shapes reality for the masses — and few loom larger than the mighty Grace Jones. “Nightclubbing” without context is a tremendous body of songs worth anyone’s time, but after a deep dive into Grace’s time at Compass Point, you’ll agree that it’s a vital work.
Episode 60: Paramore’s “This Is Why”
The menace and melancholy of modern life have sentenced scores of young people to the gilded prison of nostalgia — but much to our surprise, a band of recovering Southern pop-punks have an antidote. For anyone willing to “sit still long enough to listen to yourself,” their new music’s sharp rhythmic angles and sharper lyrical reflections frame a doorway through which to free our big feelings and forge ahead.
Episode 59: Ennio Morricone’s “The Good, The Bad and The Ugly”
You know that five-note coyote howl. You may even know the classic film it helps power. But what do you know about the man behind those iconic moments? For our final exploration from our 2024 calendar, reflect with us on the genius of a maestro who could make magic with a mere fistful of notes, who poured forth from his soul a foundation upon which much of 20th century popular culture was built.
Episode 58: TLC’s “CrazySexyCool”
Vision. Bravery. Originality. The 30th anniversary of the ATL-exported opus — by the highest-selling girl group of all time — offered us a chance to reflect on all the ways our hometown heroes ran so some of the 21st century’s most iconic artists could fly.
Episode 57: Kendrick Lamar’s “good kid, m.A.A.d city”
Before the Super Bowl, the super beef, the Pulitzer, or PGLang, one good kid and king-to-be sojourned from South Central to the height of the American promise and rained down lightning that united one nation under a groove. You’ll feel the energy of this episode from two planets away — hop in the van real quick and let’s roll out.
TuneDig Episode 56: Cocteau Twins’s “Heaven or Las Vegas”
Dream of ethereal waves of sound swirling around you—and words you can’t make out saying more than you could imagine—as you float back upstream with us toward the warmth of Cocteau Twins’ decade-defining masterpiece, which still ripples across a vast pool of influences 25 years on.
TuneDig Episode 55: Jeff Buckley’s “Grace”
Once upon a time, “your favorite artist’s favorite artist” wasn’t a Midwest princess, but a “mystery white boy” beloved by Bob Dylan and Adele alike. Jeff Buckley’s signature Grace is on the shortlist of transcendent albums every living being should experience, because, as one industry vet put it: “it’s all in there, isn’t it? It’s just all in there.”
TuneDig Episode 54: Botch’s “We Are the Romans”
"We Are the Romans" is a visceral, vital document guaranteed to make you feel something from its first notes — and there’s never been a better time to stop and smell the roses from a group just now getting its long-overdue flowers.
TuneDig Episode 53: Ravi Shankar’s “Three Ragas”
Ravi Shankar lived one of the twentieth century’s most extraordinary lives, bearing witness to—and making—history all around the world. To many (especially in the West), he personified an extraordinarily complex style of music and the cultures from which it was borne, and he worked hard to make it look easy.
TuneDig Episode 52: Alain Goraguer’s “La Planète Sauvage”
Gather ’round, sommeliers of the strange and crate-digging boogie children, for something “Strange! Frightening! Fascinating!” awaits. The soundtrack to Cannes 1973’s Jury Prize-winning film is a dazzling, surreal, avant-garde hymn to cosmic knowledge and compassion and a secret handshake among real heads. If you’re after a trip to a new dimension, here’s your one small step for man.
TuneDig Episode 51: Marvin Gaye’s “I Want You”
Marvin Gaye’s well of soul power ran mighty deep, and deep into his career, he pulled up a bucket of ice-cold, silky smooth champagne called “I Want You.” Come for the lush instrumentation, vocal harmonies, and Leon Ware clinic; stay for the stories. For our return from hiatus, we observe a titan in his element, reflect on the pain that built him into one, and consider how to reconcile our feelings when complicated messengers deliver beauty to our door.
SEASON 6
TuneDig Episode 50: Funkadelic’s “Maggot Brain”
Before uniting one nation under a groove, the lysergic lords of chaos in Funkadelic harnessed wild lightning into an amulet called Maggot Brain, bestowing the bearer with raw, dark power stronger than any force known to man. Between reaching our 50th episode and coping with the “maggots in the mind” of today’s universe, it felt like the right time to free our minds. We hope y’all’s asses will follow.
TuneDig Episode 49: Alice Coltrane’s “Journey in Satchidananda”
The story of Alice Coltrane — an accomplished bebop pianist from Detroit who transcended into something far greater before walking away from public life altogether — is a glimpse into what it means to be truly free. Alice’s masterpiece "Journey in Satchidananda" is a cosmic dance that sparked creation from destruction. And in a time when we’re all desperately searching for a spark of meaning and hope, Journey abides abundantly.
TuneDig Episode 48: Heart’s “Little Queen”
Take a moment to appreciate Ann and Nancy Wilson, who kicked down the doors of rock ‘n’ roll’s boys’ club with their peerless guitar work, soaring soul vocals, and tight songcraft. 1977’s Little Queen — an oft-overlooked gem in the classic rock canon — offers a snapshot of those elements at their most urgent and pure, powered by the Wilsons’ simple motivation (as described by their producer): “It was a war.”
TuneDig Episode 47: Tangerine Dream’s “Phaedra”
When you think of “electronic music,” what comes to mind may not be a genre you deeply love — hip-hop, house, new wave, or even dub reggae — but all of it owes some debt, scientifically or otherwise, to Tangerine Dream. Dig in with us as we study a prime example of the band’s brand of effortful innovation, where they patiently and persistently labored at the cutting edge of electronic technology to open a portal to new worlds in our minds.
TuneDig Episode 46: Olivia Rodrigo’s “SOUR”
Did you catch one of 2021’s biggest albums, or like us, did you almost overlook it? If you have any expectations of pop music, "SOUR" will likely subvert them. Teenage dream this is not; it’s an exquisitely universal portrait of a weird time to be alive.
TuneDig Episode 45: Fela Kuti’s “Expensive Shit”
The story of Fela Kuti — one of the most famous people on an *entire continent* passionately struggling to liberate power to more people — is absolutely one worth deeply knowing, regardless of whether you find yourself drawn to Afrobeat or (cringe) “world music.” But once you know it, it’s almost impossible not to fall in love with Fela and Afrika 70 as their revolutionary grooves rewire your brain in magical and meaningful ways.
TuneDig Episode 44: Meshuggah’s “ObZen”
Meshuggah’s ObZen—an artifact of human creativity pushing the limits of what’s possible—will quite literally make you hear music differently. If you’re looking for a new musical adventure, and especially if you don’t think you like “heavy” or “weird” music, consider this your sign to push past your comfort zone.
TuneDig Episode 43: mewithoutYou’s “Catch For Us the Foxes”
A misunderstood wise man once said “Let him who seeks continue seeking until he finds.” In our most personal and vulnerable episode yet, we do some seeking through the lens of songs that fill us with the bravery and sincerity to love ourselves and others fully. Dig deep with us as we fish for words about our tiny place in the universe and dance with gratitude for our ability to do so.
TuneDig Episode 42: Erykah Badu’s “Mama’s Gun”
Y’all tryna raise your vibrations? Erykah Badu is here to help. Season 6 kicks off with a meditation on realness and what being on “your own wavelength” really means. (Spoiler: it ain’t a single frequency — it’s a whole spectrum.)
FRIDAY HEAVY
For lifelong headbangers and the musically curious alike, a new podcast from TuneDig is here to push your palette with aggressive, abrasive art. Each short, fast-paced episode offers (1) a new metal, punk, noise, or experimental release we recommend, (2) a related playlist we’ve curated, and (3) a heavy issue to consider and an organization doing something about it. Join us in the void.
Friday Heavy: End of Year Review 2022
It was a great year in heavy music. In this episode, we look back at all the new releases we featured and the curated playlists they spawned.
It was a NOT great year in many other ways. We leave you with a parting message of encouragement to connect your energy and angst to on-the-ground organizations doing the work in your community.
Friday Heavy: November 11, 2022
This week, we discuss:
- He Is Legend – Endless Hallway
- Curated playlist sussing out the depths of He Is Legend’s roots, weirdness, and attitude
- Protect Our Winters (POW)
Friday Heavy: October 28, 2022
This week, we discuss:
- Witch Fever – “Congregation”
- Curated playlist of eclectic, high energy that might get your inner goth stoked on (briefly) going out
- Housing Justice League
Friday Heavy: October 14, 2022
This week, we discuss:
- The Lord † Petra Haden – “Devotional”
- Friday Heavy playlist densely packed with thick, meditative vibrations across the spectrum of drone
- Multidisciplinary Association for Psychedelic Studies (MAPS)
Friday Heavy: September 30, 2022
This week, we discuss:
- Escuela Grind – “Memory Theater”
- Friday Heavy playlist dedicated to the absolutely fucking hostile energy that powerviolence can bring to radical inclusion
- Zealous
Friday Heavy: September 16, 2022
This week, we discuss:
- Holy Fawn – Dimensional Bleed
- Friday Heavy playlist showcasing the incalculably extensive and wildly diverse Shoegaze Cinematic Universe (aka post-rock)
- MTB Atlanta
Friday Heavy: September 2, 2022
This week, we discuss:
- The Callous Daoboys – “Celebrity Therapist”
- Friday Heavy playlist confronting the under-appreciation of Atlanta’s heavy and weird music scene
- Mississippi Rapid Response Coalition – Water Fund
Friday Heavy: August 19, 2022
This week, we discuss:
- Osees – “A Foul Form”
- Friday Heavy playlist fuzzed out on oddball punk that smells like cigarettes just thinking about it
- Women on the Rise GA
Friday Heavy: August 5, 2022
This week, we discuss:
- Chat Pile – “God’s Country”
- Friday Heavy playlist with, uh, a bunch of very pissed off songs directed at christofascist terrorism
- The Grocery Spot
Friday Heavy: July 22, 2022
This week, we discuss:
- WAKE – “Thought Form Descent”
- Friday Heavy playlist that anchors its sound in modern production of sludge, blackened death, and post-metal
- The Planetary Society
Friday Heavy: July 8, 2022
This week, we discuss:
1. Vomit Forth – “Seething Malevolence”
2. Friday Heavy playlist that’s unsettling in the best way, leaving you feeling a little off your axis
3. Trees Atlanta
Friday Heavy: June 24, 2022
This week, we discuss:
1. CANDY – “Heaven is Here”
2. Friday Heavy playlist packed with off-the-beaten-path punk and hardcore from bands that deserve space on your battle jacket
3. Round Rock Black Parents Association
Friday Heavy: June 10, 2022
This week, we discuss:
1. Sasquatch – “Fever Fantasy”
2. Friday Heavy playlist of heavy grooves for late desert nights and hazy generator parties
3. Feed Buffalo
Friday Heavy: May 27, 2022
This week, we discuss:
1. Decapitated – “Cancer Culture”
2. Friday Heavy playlist stacked with bands putting their unique and modern spin on (occasionally tech) death metal
3. PropelATL
Friday Heavy: May 13, 2022
This week, we discuss:
1. Primitive Man – “Insurmountable”
2. Friday Heavy playlist full of SLOW, enveloping, massive and crunchy tone and big feedback
3. National Network of Abortion Funds
Friday Heavy: April 29, 2022
This week, we discuss:
1. Heriot – “Profound Morality”
2. Friday Heavy playlist packed with mid-tempo, huge guitar tone, big atmosphere and lots of industrial grit and grind
3. Invisible People
Friday Heavy: April 15, 2022
This week, we discuss:
1. Greyhaven – “The Bright And Beautiful World”
2. Friday Heavy playlist for fans of more choatic + melodic combinations
3. Campaign for Working Families
Friday Heavy: April 1, 2022
This week, we discuss:
1. Meshuggah – “Immutable”
2. Friday Heavy playlist full of high quality Meshuggah aping that AIN’T “djent”
3. The Bail Project
Friday Heavy: March 18, 2022
This week, we discuss:
1. Soul Glo – “Diaspora Problems”
2. Friday Heavy playlist with 20+ songs in under 40 minutes, (almost) all under 2 minutes each
3. Equality Texas
Friday Heavy: March 4, 2022
This week, we discuss:
1. Vein.fm – “This World Is Going To Ruin You”
2. Friday Heavy playlist exploring more of Will Putney’s work
3. Books to Prisoners
SEASON 5
TuneDig Episode 41: Miles Davis’s “Bitches Brew”
Let’s be clear: "Bitches Brew" is a challenging record, even to some of the best musicians in the world — but all of them say it’s worth the investment. It’s the kind of trip that, even if we *could* draw a map, it wouldn’t take you there. Let go of the need for meaning and enjoy the ride with us. We can promise you’ll be pleasantly surprised where you end up.
TuneDig Episode 40: Fiona Apple’s “Tidal”
On the heels of one of 2020's most acclaimed albums — Fiona Apple’s Fetch the Bolt Cutters — we revisited Apple’s debut Tidal and wound up working to extract ourselves from the mostly male gazes that made its reception … much different. We arrive at a question much like writer Jenn Pelly had: “People would constantly prod Fiona on how an 18-year-old could write songs as mature as these ... Why did they not ask instead how she became a genius?”
TuneDig Episode 39: Death Grips’s “The Money Store”
The modern world is accelerating beyond our control, shaping our reality in ways we can’t yet perceive or understand. Enter Death Grips, an art project capturing the chaotic energy and illustrating the absurdity of our hubris in trying to harmonize the surreal and extremely real — never more perfectly than on 2012’s prescient "The Money Store".
TuneDig Episode 38: Augustus Pablo’s “King Tubbys Meets Rockers Uptown”
Reggae music is easy to take for granted, but its impact is underappreciated and massive — in the case of dub in particular, everyone from Radiohead to Johnny Rotten to Run-DMC owes it a debt. Augustus Pablo and King Tubby together created what’s regarded as “one of the finest examples of dub ever recorded.” Join us as we dive into the culture, history, and unique engineering experiments that made it possible.
TuneDig Episode 37: Rihanna’s “ANTI”
By every measure — sales, awards, chart-toppers, global name recognition — Rihanna is objectively as big as the Beatles ever were. In fact, ANTI is so big it’s still on the charts, a record five full years later. Take a closer look with us at “the record you make when you don’t need to sell records”, and get a taste of the true freedom that comes from focusing on your inner voice when faced with insurmountable expectations.
TuneDig Episode 36: Son House’s “Father of Folk Blues”
All American music traces back to the blues, and deep at the root sits Son House. That the recordings on "Father of Folk Blues" even exist is something of a gray area that cuts to the heart of the great American myth, but wherever you land after hearing these stories, you’ll find that what matters most is what the great Muddy Waters once said of House: “That man was the king.”
TuneDig Episode 35: Melvins’s “Stoner Witch”
The futility of describing the Melvins has stretched critics in the direction of absurd words like “Dadaist” for nearly 40 years now. They’ve belligerently flogged any attempt to pinpoint their essence simply by being themselves, but "Stoner Witch" remains a reliable mall directory for the Melvins’ vast and wild discography. Grab yourself some pretzel bites.
TuneDig Episode 34: Dolly Parton’s “Jolene”
We should talk about Dolly the way we talk about Prince. Her extraordinary kindness and unique kitsch both make her universally loved, but what gets left out of the conversation is the very thing that made her famous: the music. Join in as we focus attention on the sonics and songwriting of the low-key masterpiece "Jolene".
TuneDig Episode 33: The Allman Brothers Band’s “The Allman Brothers Band”
Six enlightened rogues out of Macon, Georgia birthed an entire genre simply by being their soul-powered selves. We have not come to testify, but we’re still hung up on the dream The Allman Brothers Band helped us see. By the end of this episode, you will be, too.
TUNEDIG RADIO
SEASON 4
SEASON 3
SEASON 2
SEASON 1
BONUS TRACK EPISODES
BONUS TRACK: How We Got Here
We got a bunch of interesting listener feedback in our off-season, and it encouraged us to shed some light on why we do things the way we do ‘em. Also, we reflect on our first writeup, which was ... interesting.
WHO WE ARE
We're Cliff (right) and Kyle (left). We’re two dudes born and raised in ATL with day jobs in tech and sustainability, respectively.
We met in middle school, and in one way or another, music’s been the thing that’s kept us close for the two decades since — whether it’s sharing and talking about new music (like this podcast, except in our texts or over beers), going to shows, or working with our favorite record stores to help them survive and thrive.
We started TuneDig as a little art project that connects us more deeply ourselves and to the world through the infinite gift of music. We hope you’ll join us for the conversations, let us know what you think, and share discoveries of your own.
More About TuneDig
TuneDig began as a little something called MusicGrid.me, which we created after realizing there was no place online to directly exchange music recommendations with your friends. Our aim was simple: to make rating albums simple, useful, and social. We got some love from places like Mashable, Wired, Evolver.fm, and Hypebot. We managed to foster conversation between music lovers, get thousands of reviews, and meet great people.
Along the way, we realized that record stores were an essential part of the music lovers’ community. After many a conversation about how we could helpfully connect them to the people who loved them, we began helping them leverage technology to create new revenue streams and embrace streaming services without giving up what’s unique to them: expertise and curation. (Long live the counter clerk who knows exactly which record will be the right introduction to jazz fusion!)
TuneDig is our vision to connect music lovers with the music they love, because no matter how much has changed in the way we discover and enjoy music, recommendations from people you trust and respect will always be the best way to find new music you’ll dig. With this podcast, we’re channeling the spirit of trusted curation pioneered by record stores, and bringing you something to take you deeper into music you can love.